London is a city deluged in fashion. London collections have a special way of projecting their style; not so long ago were they a mirage of prominent fashion weeks, but slowly London collections are establishing their own foundation — a foundation that is often playful and branches from the UK's own history of garb. Here are my personal highlights of London Collections: Men SS15.

Astrid Andersen brought us gender-bending sportswear. The models were clad in crop tops, open backs, football jerseys, mala beads and mesh. There were clear influences from Japan expressed through kimono silhouettes and blown up paisley that somewhat shadows oriental ideas. Astrid Andersen also reflected the culture of kickboxing, but translated the garb into street smart attire.

The Topman collection was an obvious homage to the 70s and the psychedelic craze. Pastel colours were overlaid on each other and I mistook a few models for Mick Jagger. Despite the heavy influence from the woodstock era there was a touch of britpop humour, seen in the more modern looks. I liked this collection but felt it was slightly lacking in individuality, although I’m sure that this collection is going to be a hit when released in stores.

As usual I thoroughly enjoyed Jonathan William Anderson’s collection that stepped away from his usual sculptural inspiration. This collection also featured 70s knots and prints, like diagonal stripes in a mix of different colours. On site were also pinstriped vests on pinstriped shirts above pinstriped trousers. I loved this collection because it, as always, gave off a personal feeling -- it was a very carefully considered, smart collection. 

Another favorite of mine was Craig Green’s graceful collection. Green’s models walked the runway like ghostly crusaders, clad in spiritual flags — almost like kites. The models walked barefoot and Green’s first independent runway show oozed emotion and dexterity. Side knotted trousers and jackets with padding all manifested a soft, organic message. This collection is one of my favourites from LC:M because of the tenderness of the silent protest. The garb presented conveyed not only a beautiful vision, but also a moral — a fight against the consumerist society we live in — which is something I always appreciate in fashion.

These are my favourites of this season's LC:M; I felt as if this LC:M was a very emotional one. One that exuded thought and consideration, and perhaps not the usual lowbrow and hasty way of expression that fashion weeks can often radiate.